I was also assisted by the staff of the Benson Latin American Collection of the University of Texas at Austin, in particular, Ann Hartness, and, in very early stages, of the Sala de Investigaciones Bibliográficas of the Biblioteca Nacional del Perú.
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Subsequent support came from the Graduate School of the University of Wisconsin-Milwaukee and the General Research Fund of the University of Kansas, and the presentation of project material at professional conferences was supported by the Center for Latin America at the University of Wisconsin-Milwaukee and the Graduate School and Center of Latin American Studies at the University of Kansas. At the center, I was privileged to participate in a remarkable faculty seminar, "Rewriting Modernism," eminently enriched by the intellectual guidance of center director Kathleen Woodward and seminar organizer Andreas Huyssen and by the participation of other fellows. Initial research was supported by a postdoctoral resident fellowship at the Center for Twentieth Century Studies, University of Wisconsin-Milwaukee, in 1985–86, made possible by release time from the Department of Spanish and Portuguese.
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The unanswered questions emerging from that project took me on a very different course that has culminated with this book.
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My work on Latin America's literary vanguards began with a 1984 doctoral dissertation on the connections between literary aesthetics and cultural nationalism in the vanguard movement in Peru. The story of a book encompasses numerous individuals and institutions.